If all that Tom Rob Smith had done was to re-create Stalinist Russia, with all its double-speak hypocrisy, he would have written a worthwhile novel. He did so much more than that in Child 44, a frightening, chilling, almost unbelievable horror story about the very worst that Stalin's henchmen could manage. In this worker's paradise, superior in every way to the decadent West, the citizen's needs are met: health care, food, shelter, security. All one must offer in exchange are work and loyalty to the State. Leo Demidov is a believer, a former war hero who loves his country and wants only to serve it well. He puts contradictions out of his mind and carries on. Until something happens that he cannot ignore. A serial killer of children is on the loose, and the State cannot admit it.
To admit that such a murderer is committing these crimes is itself a crime against the State. Instead of coming to terms with it, the State's official position is that it is merely coincidental that children have been found dead, perhaps from accidents near the railroad tracks, perhaps from a person deemed insane, or, worse still, homosexual. But why does each victim have his or her stomach excised, a string around the ankle, and a mouth full of dirt? Coincidence? Leo, in disgrace and exiled to a country village, doesn't think so. How can he prove it when he is being pursued like a common criminal himself? He and his wife, Raisa, set out to find the killer. The revelations that follow are jaw-dropping and the suspense doesn't let up. This is a debut novel worth reading. --Valerie Ryan
Set in Stalin's Soviet Union circa 1953, Child 44 is a dramatic, troubling tale of life under a repressive system that controls its citizens by regimentation and fear. Although the novel begins with the separation of two young brothers from a starving Ukrainian village in 1933, the events of that one day set in motion a terrible series of crimes that surface twenty years later, just prior to Stalin's death. The protagonist, Leo Demidov, is a member of the State Security, the MGB, rigorously performing his assigned duties, arresting accused traitors for questioning, their sad fates ordained the moment these unfortunates are arrested. Days before his life is altered by the mischief of another, Leo is assigned an unusual case, the mutilated corpse of a child, of necessity declared an accident. There are no crimes, no mistakes in the Soviet Union, a rigid hierarchy that controls the population with propaganda and terror, survival the currency of repression, people accusing others in order to save themselves.
Buoyed by his investigative instincts and sense of invincibility, Leo has built an enviable life; when all that is necessary to establish guilt is accusation, it is not surprising when the finger of suspicion points at Leo, a jealous rival facilitating his fall. Leo has had no quarrel with his life, avoiding introspection until he and Raisa are the targets. Leo is demoted, the couple sent to a remote country village as punishment for an error in judgment. Once Leo is stripped of his power, the marriage is revealed as a sham. Raisa demands total honesty or she cannot stay. Then another child is found murdered, eerily similar to the one in Moscow, Leo caught in an impossible conundrum, not authorized to investigate crimes that do not exist in the eyes of the government. It is Leo's profound emotional journey that is the heart of this intriguing, provocative novel. With Raisa as the catalyst for a dormant conscience, Leo risks everything to accomplish one good thing before the long arm of the MGB reaches out once more to deal another blow. For Leo is not deceived: his punishment has only begun, a reprieve before a final reckoning.
Relentless, Smith contrasts Leo's awakening in an environment meant to stifle individuality, Leo's soul blooming against a frozen landscape where horrors are perpetrated by a madman and a government that cannot bear scrutiny. This protagonist does not survive unscathed, battered by a government meant to intimidate, to silence dissension. The rigid constraints of a lifetime give way to Leo's quest for justice, a surprising tie to a forgotten past adding unexpected complications, Leo and Raisa under constant threat from one man's determination to see Leo punished for his earlier successes. The prose is consistent, compelling, the plot brilliantly sustained until the inevitable confrontation with the MGB. Dredging unexpected moments of humanity from morality's massive graveyard, Smith has written a stunning indictment of political repression in collision with hope. Luan Gaines/ 2008.
writes,
This non-stop train-ride of a crime thriller will seize your attention from the first twenty emotionally wrenching pages and keep you hanging on for dear life for the remaining four hundred pages. Set in Moscow in 1953, when Communism controlled every aspect of daily life, and government officials believed that "there is no crime," the novel recreates the turmoil in the life of a State Security Force official who begins, reluctantly, to question the "facts" before him. Leo Stepanovich Demidov, working for MGB (Internal Security), is drawn into an investigation of the death of a four-year-old, supposedly struck and killed by a train. The child's family believes he was murdered, but Leo conveys a not-so-subtle warning to them not to question the state's findings regarding the child's death.
Because each community certifies its own causes of death, Leo can only regard the death of this child as a single instance of a mysterious death. When he is relocated to a more remote village and discovers that there has been a similar death there, however, he begins surreptitiously to investigate. Always, he must hide his reasons for asking for information. He cannot afford to be labeled as a doubter--he has a wife and parents to protect. Soon he has created a map showing dozens of similar crimes along the railway line.
As Leo is trying to identify a serial killer, he must also deal with internal politics within the security service, including his own demotion and loss of reputation. A fellow MGB officer will stop at nothing to bring him down. At the same time, however, Leo is still a party man, and he plays by the book in his other investigations, including the interrogation, beating, and eventual execution of two men he knows to be innocent victims of the system. Torture, the use of informants, constant spying on each other, and the manipulation of records, are public policy--"Terror protects the Revolution," the party believes.
Author Tom Rob Smith's accomplished debut novel is filled with carefully drawn and vivid characters, all of whom convey their complex personalities within the structure of their communist society. His creation of Moscow life feels realistic, and his inclusion of maxims which could be part of a communist handbook adds to the sense of realism--and horror. Comparisons with Martin Cruz Smith (one of my favorite mystery writers) are inevitable, and this novel is at least as good as the best of Cruz Smith. In some ways--notably his ability to recreate the emotional milieu of the communist society--he may be even more successful. Outstanding!--and already scheduled for filming by Ridley Scott. n Mary Whipple
Red Square
Havana Bay
Wolves Eat Dogs
Stalin's Ghost: An Arkady Renko Novel
writes,
I generally don't care for serial killer stories, I find that everyday "regular" crime holds plenty of drama and is much easier to connect with. However, the Soviet setting of this debut thriller intrigued me enough to dip into it for a few pages, and the writing on those first few pages swept me into the story very quickly. For the first 3/4, it's an excellent grafting of the serial killer genre onto the everyday horror of the early-'50s Stalinist era Soviet Union. Unfortunately, Smith succumbs to the thriller writer's temptation of having a huge plot twist toward the end, which unnecessarily sabotages what had been a grim and realistic story to that point. It's one of those twists that comes out of nowhere, and really doesn't serve much purpose other than as a "gotcha" moment -- the story could have worked just as effectively without it.
Other than this one vastly annoying flaw, the book is excellent. After a chilling prologue in the famine-devastated Ukraine of the 1930s (a famine engineered by Stalin, it must be noted), the story opens in 1953 Moscow, where we meet Great Patriotic War hero and militia officer Leo Demidov, as he pursues the interests of the state in tracking down its enemies. Smith takes plenty of time to build up the totalitarian setting, where fear and paranoia reigned, and reason was a luxury unavailable to the state. If you were a suspect, you were guilty, since the state did not make mistakes. The story focuses on Demidov, showing the privileges his family enjoys due to his position, and the precariousness of his position as a jealous underling plots to destroy him. (This underling is the weakest element in the book, as his hatred for Demidov is a critical catalyst several times in the story, but the motivation for it is far too one-dimensional.)
It isn't until 1/3 of the way into the book that the serial killer plotline starts to assert itself, and Leo begins to realize that the same killer might have struck hundreds of miles apart. It's also at this point that I realized that Smith was taking the case of the real-life Soviet serial killer Andrei Chikatilo (aka "The Rostov Ripper") and moving it back in time a few decades. The killer's background, physical details, MO, and more are all based on the Chikatilo case. (I find it a little bit odd that while the "further reading" section at the end of the book makes a passing mention to a book on the Chikatilo case, Smith doesn't explain who Chikatilo was or just how directly he drew upon the case for the book. There have been several non-fiction books written about the case (such as Hunting the Devil), and two mediocre films based on it: Citizen X and Evilenko.) In any event, once Leo starts to suspect the existence of such a killer, he is severely hamstrung in his ability to do anything about it -- partly because the existence of such a madman is incompatible with the utopian ideals of the Soviet state. To admit such a killer would be to admit the imperfection of the state.
As Leo's star falls, he is also subject to a shock in his personal life which makes him question everything. Galvanized to find and kill the serial killer as an act of redemption, he manages to enlist some help even as he comes under further pressure from his nemesis. A classic trope of the thriller is that the hunter/truth-seeker becomes the hunted, and Smith pulls just such a maneuver off brilliantly. The book picks up momentum, and other than the unnecessary plot twist mentioned above, races toward the climactic showdown with great skill. It's an excellent debut novel, and should have wide appeal to fans of thrillers, the serial killer subgenre, and fans of Martin Cruz Smith.
