Overview & Description

Amazon Exclusive: A Q&A with Joseph O'Neill Joseph O’Neill was born in Ireland and raised in Holland. He received a law degree from Cambridge University and worked as a barrister in London. He writes regularly for The Atlantic Monthly and is the author of two previous novels, This Is the Life and The Breezes, and of a family history, Blood-Dark Track, which was a New York Times Notable Book. O'Neill received the 2009 PEN/Faulkner Award for Fiction for his third novel, Netherland. He lives with his family in New York City.

Question: President Obama mentioned in a New York Times Magazine profile that he’s reading Netherland. How do you feel about the President reading your book?

Joseph O'Neill: I'm very honored, of course.

Question: How is the world of Netherland particular to the United States after 9/11?

Joseph O'Neill: The story takes place in the aftermath of 9/11. One of the things it does is try to evoke the disorientation and darkness of that time, which we only emerged from with the election of President Obama.

Question: What is the importance of the sport of cricket in this book? Do you play?

Joseph O'Neill: I love sport and play cricket and golf myself. Sport is a wonderful way to bring together people who would otherwise have no connection to each other.

Question: One of your reviewers calls Netherland an answer to The Great Gatsby. Were you influenced by Fitzgerald’s book, and was your book written with that book in mind?

Joseph O'Neill: Halfway through the book I realized with a slightly sinking feeling that the plot of Netherland was eerily reminiscent of the Gatsby plot: dreamer drowns, bystander remembers. But there are only about 5 plots in existence, so I didn't let it bother me too much. Fitzgerald thankfully steered clear of cricket.

Question: Many reviewers have commented on the “voice” of this novel. How it is more a novel of voice than of plot? Do you agree with this?

Joseph O'Neill: Yes, I would agree with that comment. This is not a novel of eventful twists and turns. It is more like a long-form international cricket match (which can last for 5 days without a winner emerging), about nuance and ambiguity and small slippages of insight. And about language, of course.

(Photo © Lisa Acherman)